Sound Obsession

St. Vincent Date:  March 1, 2014 Venue:  9:30 Club, Washington, DC Last year St. Vincent, real name Annie Clark, was presented with a Smithsonian American Ingenuity Award in Performing Arts.  The fact that a high brow institution primarily known for housing and showing priceless art and artifacts took a shine to St. Vincent is telling.  There's a sense that St. Vincent is to be observed and admired from behind glass - regarded from afar as a kind of beautiful curiosity.  Her live show last Saturday at the sold out 9:30 Club did little to dispel that impression. St. Vincent isn't the sort of artist I typically follow (unapologetically, aggressively "arty"), but I heard she put on a good show and played a mean guitar.  Frankly, I was really digging her new self-titled album St. Vincent , released last Tuesday, and figured this show would be a great detour from the usual.  It certainly was.  Rocking her new blown-out Einstein hairdo, St. Vincent took the st

Russian Circles, KEN mode, Inter Arma Date:  February 18, 2014 Venue:  Rock & Roll Hotel, Washington, DC Following January's blackened-thrash and viking metal onslaught at the 2,000 capacity Fillmore, a couple weeks back I hit another must-see package tour at the more intimate 350 capacity Rock & Roll Hotel -  Russian Circles with KEN mode and Inter Arma.  The evening served as a reminder of the wide spectrum of style and philosophy that exists in the metal scene.  Whereas populist showmen like Amon Amarth and Skeletonwitch relish in the fabricated drama and spectacle of viking lore and the occult, not shy to remind everyone that it's all in good fun, Russian Circles and their tour-mates are dead serious about this shit - it's about the art, man. Russian Circles - Brian Cook and Dave Turncrantz (left to right) Despite all the blog debate, "hipster metal" really is a thing.  Drawing heavily from non-metal genres like post-punk, post-rock, shoe g